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Showing posts with label valentino. Show all posts
Showing posts with label valentino. Show all posts
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| Backstage at Giambattista Valli Fall 2015 Couture via vogue.com |
Giambattista Valli
Giambattista Valli has proven himself to be the master of youth couture. Each collection is energetic and fresh and above all else, fun! Valli takes fashion design and construction seriously, but he knows that ultimately fashion is about having fun. For Fall 2015, the groovy sixties provided major inspiration, from the oversized round sunglasses to the mod shapes and electric colors. The dress-over-pants trend is sure to continue into fall thanks to Valli's stylish options.
What I love most about Giambattista Valli collections is that you can always understand the kind of "girl" he is looking to dress. This season, the Valli girl (not to be confused with the trashy Valley Girl) is a fun-loving socialite who frequents galas and modern art museums. She's hip in a quirky way. She may not even realize how cool she really is. She wears things because they are pretty and fun, and most importantly she wears clothing for herself. She couldn't care less what others thought about her eye-catching ballgowns of colorful tulle. She probably listens to old records and she has a Warhol in her living room. She's cool, but she doesn't care that she is.
Regardless, we all want to be her.
Ulyana Sergeenko
Ulyana Sergeenko is always good for some vintage Hollywood glamour. For Fall 2015 the theme was definitely starlets of the '30s and '40s, with luxurious silks and furs, long hemlines, and vintage accessories (caged veils, cat-eye sunglasses, and minaudieres) dominating the show.
What I love about Sergeenko's collections—as well as the general appeal of the fashions of the 1930s and '40s—is that they ooze sex appeal without being overly-revealing. There were plenty of plunging necklines and elements of intrigue, but even with this gorgeous dress and its sheer top, the skirt is so magnificent that the model hardly feels half-naked; the top is translucent but that isn't the point. These looks are sexy but they aren't overt, and it's something to appreciate in a time of miniskirts and crop tops. Rihanna is a fan of Sergeenko's designs. I can see her rocking these old-school glam looks with her signature edge.
Atelier Versace
The sixties really were all over Fall 2015 couture, and the Atelier Versace show did it in glorious style. With each model rocking a wavy, center-parted hairstyle adorned with a handmade fabric flower crown, this was the runway collection for the high-end music festival forest nymph. There's no doubt Donatella was feeling majorly inspired by Coachella and Woodstock, but there was a mythological etherealness as well, as if Versace were creating costumes for a modern-day version of A Midsummer Night's Dream (Titania would be alllll over these dresses).
I always appreciate Versace looks on the red carpet, but sometimes I find the brand's runway shows to be a little too severe, too sexy, too...well, too Versace. I really enjoyed this softer approach. These dresses really are beautiful.
Also, seriously, can you imagine if this was what Coachella fashion was actually like? That would be a dream come true!
Valentino
While couture shows are typically shown in Paris, Valentino decided to do something a little different and took their runway show home to Rome for a truly unique presentation. Guests received tours of the Eternal City curated by Maria Grazia Chiuri and Pierpaolo Piccioli themselves, with each stop featuring Valentino creations from couture shows past. Then came time for the show, which was set in the Piazza Mignanelli as the golden sun set. The clothes were primarily black, gold, and (of course) Valentino Red, but the simple color palette did not mean that the clothes themselves were simple.
There was plenty of lace, brocade, and embroidery, and the gold fabrics seemed to be coated with gold foil. Models wore jewels and crowns of gold, triumphant celebrations of the city of Rome. There were plentiful references to the city, from the gladiator sandals to the pleated skirt styles and the imperial diadems. The eagle was also heavily featured, being a symbol of Rome. The opening look was a dress with a neckline that resembled an eagle taking flight. Feathers featured prominently in the collection, and several necklaces featured eagle shapes.
The celebration of the rich history of Rome was on full display, of course, but I was also detecting hints of northern medieval influences. Was it just me, or did some of the looks (in particular the all-black ensembles) feel like they could be costumes in the upcoming film adaptation of Macbeth? There were definitely some dark, witchy vibes going on, but ultimately this was a collection about the splendors of Rome, and Chiuri and Piccioli wonderfully succeeded in celebrating the beloved home of Valentino. As the models made their final walk through the piazza, they were met with a full standing ovation from the crowd. You don't have to be that into fashion to know that this doesn't happen often (the fashion world is fickle and always vaguely disinterested in everything). But really, this was one of the best Valentino collections in years. Maybe they should always show couture in Rome!
(all runway images via style.com)
What was your favorite collection?
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| Blake Lively at the Age of Adaline premiere |
After the end of Gossip Girl Blake Lively took some much-needed time out of the spotlight. She married Ryan Reynolds, had a daughter, and started a lifestyle website. But after a while Lively is ready to get back into the swing of things and has gotten off to a great start promoting her new film, The Age of Adaline. She's stepped out in a number of outfits, from fun retro-style jumpsuits to totally glamorous gowns.
See my favorite looks of Lively's from the past week:
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| Sam & Lavi | Marc Jacobs | Ralph & Russo | Lindsey Thornburg | Cushnie et Ochs |
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| Monique Lhuillier | Roksanda | Monique Lhuillier | Zuhair Murad | Valentino |
What do you think of Blake Lively's many red carpet outings?
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| image source |
There's only so much you can do with a pair of flat sandals, right?
The gladiator sandal begs to differ, and as you've probably noticed the ancient shoe style is making quite the high-impact statement this spring. Whether you're traipsing about Coachella or just off to Sunday brunch, gladiator sandals add a new level to the simplest of outfits.
They were all over the Spring 2015 runways jazzing up lace minis and decadent, feminine pieces. That's how I recommend wearing these shoes, but sky is really the limit. Cut-off shorts, mini skirts, peaking out from culottes or a maxi skirt. The only thing I would stay away from while wearing knee-high gladiator sandals is pants.
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| Chloé | Valentino Erdem | Stella McCartney |
What are your thoughts on gladiator sandals?
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| Jonathan Simkhai top | Valentino pants | Madewell dress, bracelet, and mules |
April is another busy month—Easter, Coachella and Stagecoach, the last month of classes, and so on—but I'm someone who functions well with a lot in my Lilly Pulitzer agenda, so I'm looking forward to another lovely month of activities and events. Plus, something really exciting is happening on the 21st of this month...I'm turning twenty-one! I am so excited to finally be able to check out all the cool bars and lounges that Los Angeles has to offer and try some sophisticated drinks.
With all that on the schedule for the month, I'm looking for some breezy-chic pieces that are versatile and perfect for spring. A nude crop top paired with flowy printed pants and slip-on mules is a perfect weekend brunch look, but the top can easily transfer to the evening when paired with a skater-style skirt and heels. I've been wanting mules ever since I wrote this post about them a while back, and the Madewell pair is perfect and simple—exactly what I look for in a pair of shoes!
I also fell in love with this Madewell pinafore dress; it's all about denim everything this spring, and a button-down pinafore alludes to the also on-trend button-down skirt as well as the denim overall, though this dress is more feminine than any pair of overalls (and therefore much more my style).
What's on your wishlist for April?
SHOP the Wishlist:
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| Valentino Pre-Fall 2015 |
Stumped on what to wear on Valentine's Day? Well, Saint Valentino has got you covered with not one but a few heart motif looks from the pre-fall collection.
If you're planning on a romantic candlelight dinner with your significant other, this red and pink heart print 70s-style frock will woo your date all while being incredibly festive for the Hallmark holiday.
However, if you're loving the single life and the most of your plans are storming the theatre for some Fifty Shades of Grey with all your gal friends, Valentino has the perfect look for you, too! A cute heart sweatshirt will say "I love conversation hearts" better than a chalky candy, but a pair of fashion-forward, man-repelling denim wide-leg culottes will signal all prospective suitors that you are single and have no interest in mingling.
So whether you're a Valentine's Day romantic or a Galentine's Day celebrator, get inspired by Valentino. The one bummer, these looks aren't out until summer.
Happy Valentine's Day and happy hunting!
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| image via collage vintage |
It seems that the fashion Powers that Be are really into destroying their clothes. Distressed jeans, patchwork details, paint splatters, you name it. Frayed edges are just the latest in a long list of distressed trends, but know that there is an art to this look. One cannot simply throw on a western-style fringe jacket and call it a day. No, this season's fringe is more of an artful undoing than flapper girl. Undone edges, I'd call it.
Like this Proenza Schouler dress below, where it looks like the dress is simply unravelling into perfect fringes as if it were taken off the loom midway through. Or the tweed looks at Chanel Haute Couture, where what would once be your grandmother's tweed jackets dissolved into 90s-style crop tops (Grams definitely would not approve, but it does look pretty cool).
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| Celine | Tory Burch | Proenza Schouler | Salvatore Ferragamo | Isabel Marant |
If undone edges aren't your thing, just add a bit of fringe here and there for the Spring 2015 take on the texture. Like the neckline of your dress or the hem of your tissue skirt, like Sportmax and Valentino have opted to do.
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| All images Michal Pudelka for Valentino |
Valentino is one brand that is never afraid to embrace the feminine. With Maria Grazia Chiuri and Pier Paolo Piccioli continuing to be inspired by Romanticism and the ancient world, femininity is at the forefront of the Valentino aesthetic.
For Spring 2015, Chiuri and Piccioli took to the sea with an oceanic collection full of starfish, seashells, and dreamy sea blues and coral pastels. The Spring 2015 ad campaign accentuates the theme of spring by placing an ensemble of models in an oceanic paradise, where they lounge in the sand and travel through the jungle in stylish fashion.
Perhaps it's the cotton candy hues of the clothes, but the photographs have a Sofia Coppola style to them. There's a dreamlike quality to this idyllic island where women sunbathe in gauzy Valentino gowns, and the film The Virgin Suicides, in particular, comes to mind when I see the models leaning against one another and revelling in their perfect girls-only oasis. I'm quite impressed with photographer Michal Pudelka's ability to both capture the beauty of the clothes and highlight the mood of this season's Valentino girl.
Here are some of my favorite images from the campaign:
See the rest of the ad campaign photos here.
What do you think of Valentino's Spring 2015 ad campaign?
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| Gucci Premiere | Michael Kors | Kaufmanfranco | Michael Kors | Valentino | Gucci |
What are some of Lively's 2014 highlights? She continued to dazzle as Gucci's spokesmodel in flawless custom creations from the atelier (and she's also a muse for Michael Kors), she launched her boho lifestyle website Preserve, and she's pregnant! She also was the hands-down Queen of Cannes, became besties with Martha Stewart, and is prepping for the release of her latest film, The Age of Adaline, about a woman who never ages (because of course not. Plus, it's an excuse to see Lively in period costumes). So she's had an amazing 2014 and I know 2015 is going to be even better! And she's going to be a mother, which is so exciting, and also that child is going to be beautiful. Ryan Reynolds as your dad and Serena Van Der Woodsen as your mom? That's just unfair!
Style-wise, Lively has perfected her personal blend of Hollywood glamour and modern bohemian. She'll show up in glam Veronica Lake curls and vintage-style dress one day and in a loose-fitting floral frock with wavy tresses the next. She's also totally won with her maternity style. Seriously, a baby bump has never looked this chic!
Blake aka the Queen of Cannes 2014
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| Gucci Premiere | Chanel Couture | Gucci Premiere |
I can't believe I'm saying this but the holiday season is just around the corner. Halloween is this Friday and then, while you're still nursing your hangovers (or, you know, stomachaches from all the candy) on Saturday morning you'll stumble into Starbucks only to be greeted with peppermint and yuletide spirits (But let's be honest, I cannot wait for the peppermint mocha to make it's long-awaited return).
Once you get used to the idea that as of November 1st, the holiday season has begun, you'll realize with horror: Shit. This means I need a holiday party dress! Because between family gatherings, office luncheons, and Christmastime galas (what? A girl can dream!) you're gonna need a new sparkly dress or two. And last year's tired version will simply NOT suffice! So what style dress should you be looking for?
How about a maxi (or midi) dress with a sheer organza skirt? These dresses have been everywhere lately, from the runways of Dolce & Gabbana and Valentino to the stars of street style.
Semi-see-through organza skirts are fun and festive for the season, and it's a nice way to show some leg while still covering up and staying warm(ish).
These dresses/skirts are perfect for a fancy holiday party or formal event, but I also love when they're styled with sneakers, floppy hats, and other casual accents for a dressed up/dressed down vibe.
Are you hoping to try a sheer skirt this holiday season?
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| Valentino | Anja Rubik | Stella McCartney | Hanneli Mustaparta | Erdem |
These dresses/skirts are perfect for a fancy holiday party or formal event, but I also love when they're styled with sneakers, floppy hats, and other casual accents for a dressed up/dressed down vibe.
Are you hoping to try a sheer skirt this holiday season?
SHOP ORGANZA SKIRTS AND DRESSES:
Wow, Valentino. Just wow.
Under the reigns of design duo of Maria Grazia Chiuri and Pierpaolo Piccioli, Valentino has become the go-to brand for luxurious and romantic bohemian clothing, full of lace maxi skirts, earthy suedes, and models in milkmaid braids. There's no doubt that Chiuri and Piccioli have succeeded in making the Valentino brand all their own, but in the process I have sometimes felt as if their collections have become repetitive, all variations on the same theme, and together not as all inventive as the presentations that Valentino Garavani designed for his namesake brand.
The 2015 resort presentation was not a departure from the aesthetic that Chiuri and Piccioli have established as staples of the present-day Valentino, but rather a revitalization.
With some inspiration from an archival print from a 1973 collection, as well as the works of the iconic artist Frida Kahlo, Valentino delivered a truly extensive collection full of clothes for the fashionable, adventurous woman.
The clothes were not only beautiful but practical. They aren't just for sitting around and looking pretty, they are for exploring jungles both urban and exotic, for traipsing through cobblestone streets in seldom-visited villages, for seeing all that this world has to offer in fabulous style.
The first half of the collection was full of these practical but fascinating looks, with army jackets decorated with butterfly motifs (another staple of the Chiuri-Piccioli-run Valentino), comfortable gladiators and flat espadrilles, and billowy fabrics and shapes perfectly made for moving around.
Then the earthy tones and Khalo-esque touches quickly transformed into technicolor, geometric print dresses that recalled the pop art of the 60s and 70s. These were the looks that were inspired by that archival 1973 print, which was considered quite "visually disruptive" and continued to be so here, but in the best of ways.
If there's anything that modern fashion has taught us, it is that the rules were meant to be broken. Patterns can clash for the ultimate effect, for example, and in general things that are supposedly visually displeasing can make for great sartorial statements. The highly-saturated looks are sure to land on magazine pages and make statements on the red carpets. They may even find themselves on a bold street style star or two. Surely they are the standout pieces from the collection, if only because the colorful patterns are so clearly attention-grabbing.
In a season of resort shows continuing to demonstrate the increasing importance of the pre-season collections, Valentino delivered a knock-out presentation that was just as strong as any major ready-to-wear collection. I sincerely hope these magnificent clothes get the attention they deserve come winter.
The first half of the collection was full of these practical but fascinating looks, with army jackets decorated with butterfly motifs (another staple of the Chiuri-Piccioli-run Valentino), comfortable gladiators and flat espadrilles, and billowy fabrics and shapes perfectly made for moving around.
Then the earthy tones and Khalo-esque touches quickly transformed into technicolor, geometric print dresses that recalled the pop art of the 60s and 70s. These were the looks that were inspired by that archival 1973 print, which was considered quite "visually disruptive" and continued to be so here, but in the best of ways.
If there's anything that modern fashion has taught us, it is that the rules were meant to be broken. Patterns can clash for the ultimate effect, for example, and in general things that are supposedly visually displeasing can make for great sartorial statements. The highly-saturated looks are sure to land on magazine pages and make statements on the red carpets. They may even find themselves on a bold street style star or two. Surely they are the standout pieces from the collection, if only because the colorful patterns are so clearly attention-grabbing.
In a season of resort shows continuing to demonstrate the increasing importance of the pre-season collections, Valentino delivered a knock-out presentation that was just as strong as any major ready-to-wear collection. I sincerely hope these magnificent clothes get the attention they deserve come winter.
As contradictory as it may seem, I've been noticing camouflage prints more and more (get it, because camouflage is supposed to make you more invisible). There was once a time when I was all about the camouflage - I distinctly remember this awful gray sweater I would wear, and I'm sure I had an assortment of pink *girly* camo products as well. Naturally I overdid it, and then proceeded to boycott the print at all costs. It was a remnant of my poor tween fashion choices - and the poor fashion choices of the early 2000s in general - and I was probably fatigued (oh, puns) by the amount of times I saw camo (mostly the unflattering digitized desert kind) in my heavily military hometown.
The way I saw it, camouflage in its normal form was too practical to be fashionable. When I was younger, at least, the only way to make the print "girlier" was to tinge it pink, but I quickly saw how cheesy that was.
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| 1. Valentino | 2. Valentino | 3. J. Crew | 4. Prism | 5. Valentino | 6. Madewell |
Nowadays I'm coming back around to the idea of incorporating the military print back into everyday wear. Army and navy influences have always been there in fashion, and with the recent popularity of the army green jacket, I'm not all too surprised to see camo come back in style.
The key to camo's present success has not been "girly-ing it up" with pink hues and rhinestones. No, today's woman is more natural and desires to keep her appropriated garment pieces more authentic. Instead the print has been applied to feminine pieces - swimsuits, classic pumps, form fitting T-shirts and skinny jeans - and accessorized with airy silks and ladylike extras to give that perfect feminine/masculine balance.
Bumble bees, renewable energy, and Edie Sedgwick. Paris was an abundance of eclectic inspirations, but all in all some pretty strong conceptual shows came through.
Nicolas Ghesquière at Balenciaga experimented with sensuality by accentuating the curves and silhouettes of women. Chanel's Karl Lagerfeld, with a solar panel runway and windmills lining the Grand Palais, was influenced by renewable energy and energy in general, in more figurative meanings of the word. At Louis Vuitton, as with his synonymous collection, Marc Jacobs focused on the Mod movement of the Sixties with day-glo yellow checkerboard prints. Alexander McQueen's Sarah Burton used bees as her main inspiration- honeycomb hexagons, amber shades, and beekeeper headwear.
Paris, as usual, was full of hits. Here's the rundown of my favorite shows. What shows did you most enjoy?
Nicolas Ghesquière at Balenciaga experimented with sensuality by accentuating the curves and silhouettes of women. Chanel's Karl Lagerfeld, with a solar panel runway and windmills lining the Grand Palais, was influenced by renewable energy and energy in general, in more figurative meanings of the word. At Louis Vuitton, as with his synonymous collection, Marc Jacobs focused on the Mod movement of the Sixties with day-glo yellow checkerboard prints. Alexander McQueen's Sarah Burton used bees as her main inspiration- honeycomb hexagons, amber shades, and beekeeper headwear.
Paris, as usual, was full of hits. Here's the rundown of my favorite shows. What shows did you most enjoy?
Balenciaga
Cacharel
Chanel
Lanvin
Louis Vuitton
Alexander McQueen
Valentino
Opulence is all the rage these days, and it is time to get out the embellished sweaters, decorated headbands, and heavy, rich prints. Dolce & Gabbana was the leader of the trend, with Oscar de la Renta and Balmain following suit. Will you bring on the glitz this season with your most ornate outfits?
And if you want to get the look:
And if you want to get the look:
All the best from the fall 2012 couture shows
Couture is always exciting. Couture challenges designers to push the artistic boundaries of fashion to the edge. Everything is fantastical, dreamlike, surreal. Couture focuses on ancient techniques and futuristic technologies alike. Couture is magical.
You've already heard my thoughts on the Christian Dior show, but here are my opinions on the rest of Fall 2012 Couture.
Alexis Mabille
Alexis Mabille is always good for a fantasy-inspired show, full of glimmering gowns and dramatic capes and cuts. The designer used jewels as his inspiration, allowing him to take full advantage of emerald greens, ruby reds, and sapphire blues. Maybe I've just been looking at this Game of Thrones "What Would They Wear?" Blog too much, but I wonder if Mr. Mabille has the HBO masterpiece on his TiVo. Daenerys Targaryen would totally work that shimmering blue dress; Cersei would be sassy as usual in that ruffled cream cape confection; Sansa would look princess-like and innocent in the midnight-blue dress with the bow on the shoulder.
Chanel
For Karl Lagerfeld, fashion can be quite the conundrum. Fashion is all about giving people something new, something fresh, but it is all rooted in the past. For the Chanel Fall 2012 Couture Presentation, the theme was "New Vintage" or a blending of future and past. In true Lagerfeld fashion, the clothes were only part of the presentation: the invite was a pink and grey sketch of Mademoiselle Coco done by Lagerfeld; the space was designed to look like Chanel's original salon de couture (source); the guests sat at white wicker chairs and tables with macarons and other vintage delights. But the clothes were the true stunners. Pink was the color of the night, and girls walked out in sequined skirts and glittering grey tights (and the sure-to-be most-wanted-accesory, sequined knit hats slung back on the models' heads. "New Vintage" indeed. 1930's silhouettes abounded, and yet, as usual, Lagerfeld made everything appear to be almost futuristic! My personal favorite? The dust pink sequin dress with fuzzy pom-poms protruding; I hope the right person wears that dress and kills it!
Elie Saab
Titled In Constantinople's Wake, the Elie Saab show was the usual tour de force that I always look forward to. Sure, perhaps Saab's love of sequins and sparkle can grow to be predictable, but he knows how to create something beautiful each and every time. I enjoy the designer's use of color stories as he transitions from one hue to the next and thus allows the show to evolve with each passing frock: first black gowns in lace, then contrasting ivory and peaches, then soft blues, and finally to golden-tinted neutrals. There are so many red-carpet looks here, as usual, and I cannot wait to see these gowns in action, but perhaps my favorite is the blue with gold brocade, vaguely miltary-esque dress (second from left). There is something so strong about it, and yet the glimmering details soften it, making in a dress of perfect balance.
Ulyana Sergeenko
Ulyana Sergeenko is Russian. If you didn't know that already, you would have figured it out by the time you looked at her debut couture show. Long winter military coats, fur hats and gloves, babushkas: Miss Sergeenko is very interested in her homeland. The street-style star turned designer has proven herself, for her way of dressing certainly carries over to her way of designing. She shows strong silhouettes and makes her style be known, but there is a whimsicality of the collection that makes it lighthearted and, to be honest, fun! Details are exaggerated and proportions are played with (she pairs a fur cap and gloves with a military-inspired bodysuit). Many fear that the theatricality of couture has been lost, now that Galliano is out of the game (for now, at least) but perhaps Sergeenko is the new torch-bearer of fun fashion.
Valentino
Finally, a Valentino collection that doesn't look like the costumes for the movie adaptation of a Jane Austen book! While we are talking about past Valentino collections, I don't think people were this up in arms about the new designers after Mr. Valentino himself left, and today's Valentino collection is far removed from the foundations, unlike Raf's Dior Debut. But I digress... This show was darker than past collections, but there was something very regal about the cut-out velvet gowns and brocade coats in lemons and sorbets. (Oddly enough, Tim Blanks referenced Game of Thrones in his review of the show for style.com; perhaps the show is on every top designer's TiVo these days!) This was perhaps the most ornate Valentino collection created by duo Maria Grazia Chiuri and Pier Paolo Piccioli to date, and yet nothing is overdone. Everything is still very aesthetically pleasing and poised, which I'm sure is the point.
Giambattista Valli
If Christian Dior's main inspiration was flowers, then butterflies are that for Giambattista Valli. Valli has been a favorite of mine and I think his is absolutely perfect for couture, and although his couture label is young, it is one of the strongest around. Butterflies were everywhere -hair, belts, even lips- and nature reigned today. Valli is not afraid to be bold, as evidenced by the strong pallet and structure of the clothes presented. The standouts? That forest fairy queen cape and gown (can't you just see Titania of A Midsummer Night's Dream wearing that?) and the sculpted asymmetrical peplums that bring new life to the season's biggest hit. Like his inspirational insect, Giambattista Valli is soaring.
What were your thoughts on all the couture shows?
(images from style.com)
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